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In my last video, we explored how analog television
works.

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You can check out the whole video either through
this card or through the link in the description,

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but here’s a brief overview.

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At its core, analog television is just an
amplitude modulated radio transmission where

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the strength of the signal dictates brightness
of a light source, with a strong signal producing

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a bright light, and a weak signal producing
little to no light.

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The television set uses an electromagnet to
deflect the source of the light, an electron

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beam, in a pattern called a raster, which
is really just a ton of horizontal lines.

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This has the effect of producing a glowing
series of lines on the face of a picture tube.

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The electronics of the TV set line up the
incoming signal with the movement of the beam

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to create an image, with each part of the
imaging being drawn brightly or darkly along

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with the signal’s instantaneous strength.

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With everything in alignment, you get an image.

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By far the most complicated part of making
an image appear on the screen is making that

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raster pattern.

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The electronic components and other crucial
parts such as the picture tube and deflection

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yoke are primitive by today’s standards,
but still pretty complicated.

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We really just need a way make a repeating
pattern of lines from a light source, there’s

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got to be a simpler way to do it!

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Enter: Mechanical Television.

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The earliest televisions actually got some
of their inspiration from fax machines, really?,

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and relied on a couple of important developments.

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So first a bit about the fax machines.

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Facsimile transmission actually predates the
telephone?

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(what?), with images such as signatures being
commercially reproduced over telegraph wires

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as far back as 1865, and the earliest fax-like
device being invented by Scottish inventor

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Alexander Bain in 1846.

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Now, I’m simplifying a great deal here,
but the theory was that if you could synchronize

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the movement of a scanning device with a drawing
device, you could replicate an image.

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If you scanned a piece of paper line by line
and sent a signal over a wire to match the

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darkness of the ink, you could reproduce the
image by syncing up a drawing mechanism with

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the scanning one.

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These early fax machines worked, but they
were very slow.

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Nevertheless, they showed us that you could,
via electro-mechanical means, reproduce an

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image.

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Fast forward to 1884, and 23-year old Paul
Julius Gottlieb Nipkow created the Nipkow

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disc.

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This is the core of most mechanical television
systems.

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Nipkow realized that a spinning disc could
methodically scan an image line-by-line simply

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by placing evenly-spaced holes in a spiral
pattern.

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This is a home-made Nipkow disc.

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I took a really awful vinyl record that I’d
be happy to destroy, and marked 32 divisions

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around the circumference, like 32 very skinny
pie slices.

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Then I methodically drilled a hole along these
lines, with each hole being drilled a 32nd

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of an inch (roughly .8 milimeters) closer
to the center than the last.

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The result is a spiral pattern of holes.

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This might not seem like much, but it’s
actually extremely clever.

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If you put a square-ish shaped mask in front
of the holes, its height being slightly less

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than the distance between the holes, you’ve
made a device which mechanically creates a

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raster scan using these physical holes.

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John Logie Baird realized that with this Nipkow
disc, you could in theory focus an image with

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a lens onto the disc, and you could use a
light sensor to give an instantaneous reading

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of how bright each part of the image was,
with the holes in the nipkow disc serving

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as a way to divide the image into transmittable
pieces.

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Back in 1873, Willoughby Smith discovered
the photoconductivity of selenium, and with

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this knowledge Baird used some selenium to
create the light sensor for his televisor.

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I’ve mounted this Nipkow disc to an AC motor
which will spin it at 1,800 RPM, giving a

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complete revolution 30 times per second.

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Before I turn it on, look through the mask.

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I’ve put an extremely bright LED behind
the disc so you can see the holes.

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As I slowly turn the disc, you’ll see that
only one hole is visible at a time, and each

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hole gets closer to the left than the next
one.

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When I switch the motor on, the holes blend
into a moving line, and as it gets faster,

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the line seems to widen into a square.

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This square is very uneven because my homemade
Nipkow disc was made hastily and with poor

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precision.

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But here’s the key.

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Only one of the holes is actually visible
through the mask at any given moment.

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It’s just moving too fast to see.

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Baird used the selenium light sensor to create
a signal from an image being scanned by the

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disc, and on the receiving end, another identical
disc would spin at precisely the same speed,

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and a light source such as a neon lamp would
vary its brightness along with the signal

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strength presented by the light sensor, and
thus, you’d get an image.

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I shall now attempt to show you how this worked.

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Now before you get too excited, I’ll admit
that my mechanical television doesn’t work

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as well as I had hoped.

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And that’s all on my insistence in using
crap I had laying around, rather than going

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through the process to make a proper LED driver.

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However, I hope you’ll get an understanding
of what’s going on.

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This 10W LED chip is what we’ll use as a
light source.

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It’s really bright and, importantly, it
can react very quickly to changes in the voltage

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it receives.

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First, I’ll simply power the LED continuously.

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As the disc spins up, the lines start to blend
into each other, and eventually the whole

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“screen” is illuminated.

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Now, I’m going to switch the LED on and
off at a higher and higher frequency.

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First, 5 hz.

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The screen appears to just be flashing, nothing
too extraordinary, but you might be able to

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see some odd stuff happening as the light
switches states.

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Now I’ll switch it on and off at 60 hz.

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Something odd starts to be visible here.

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See, the disc makes a complete revolution
30 times per second, and with the light flashing

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at twice that frequency, only some of the
holes are lit up as the disc passes over the

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LED.

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Now let’s move to 1,800 hz.

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Frequencies that are a multiple of 30 will
appear stable as an even number of pulses

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fit within each revolution.

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If you mess with that, though, things get
weird.

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Bumping the frequency up just a tad makes
the pattern move in relation to the disc.

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The holes in the disc are directly responsible
for creating the patterns you see.

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Without the disc, the LED appears to just
be continuously illuminated.

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But, it’s not.

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It’s flashing really quickly.

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The disc allows for that flashing to be visible
because it physically obscures different parts

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of the light source over time.

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This is just like the electron beam in the
CRT television, except instead of electromagnets

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moving a beam across the surface of a picture
tube, the light source is physically moved

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via the location of these holes.

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It’s a pretty crafty way of producing a
raster scan, and it actually works.

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This is the best imagery I could get my televisor
to produce.

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This pattern was generated through manipulating
audio samples in Audacity.

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To give you an idea of how poorly this mechanical
TV works, well the image I intended to make

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was not a map of the world as this vaguely
suggests, but that of a circle.

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Here’s a look at true video.

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What you’re seeing here is a very low contrast,
very low resolution image of Seth Meyers.

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I mean obviously, how could you not recognize
him?

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Yeah OK, it’s garbage, but you can see that
there is certainly something there and it’s

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moving slightly.

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Like a talk show host’s head might when
said talk show host is talking.

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On his show.

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To make this image, I simply placed my phone
behind the televisor with the screen brightness

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all the way up, and I placed this solar panel
with an audio cord patched into it into one

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of my trusty Tascam DR-05 audio recorders,
which I use all the time.

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In fact there’s one in my pocket right now.

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And yes, that’s directly from a solar garden
light.

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The solar panel would produce a high current
whenever it saw bright light, and it would

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produce low current with less light.

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Duh.

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As the disc spun, it would only allow the
tiniest bit of the image through to the solar

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panel at any given time.

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This would produce a quickly varying signal
with amplitude corresponding to image brightness.

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The TASCAM would just encode these relative
brightnesses as sound samples, at a sample

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rate of 48 kilohertz, and then because I’m
really lazy, I just hooked my LED into an

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audio amplifier and played that sound back.

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The LED would become brighter with a stronger
signal from the amplifier, though as it’s

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a diode it would filter out any AC components
of the signal.

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Quite honestly I’m amazed it produces anything
at all.

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I opened the file in Audacity just to see
what it looked like, and it’s pretty intriguing.

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Here’s what it sounds like, for those interested.

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Now, in case it’s not obvious, let’s go
over the reasons mechanical television didn’t

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catch on.

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First, up until now, I’ve not let you hear
what this sounds like.

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Here’s what a 12 inch vinyl disc sounds
like at 1,800 RPM.

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I’m sure that would never get old.

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But aside from that, there are just so many
practical concerns with mechanical TV.

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First of all, the image is tiny.

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And it’s a horribly low resolution--only
32 lines.

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That’s the only reason a signal can be recorded
as an audio file.

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Not a lot of bandwidth is needed.

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Because the disc obscures almost all of the
light source, hardly any light gets through.

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This LED is fricken bright, it’s painful
to look at directly, and yet through the Nipkow

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disc, nearly all of the light is blocked,
and it produces a dull image.

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When these devices were first in development,
the light source would often be a neon lamp,

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like the orange light in a powerstrip’s
switch.

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Imagine how dark the image would be with only
that for a light source.

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One of the biggest troubles with mechanical
television is image synchronization.

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Because we’re using a big spinning thing
to divide the light into chunks, the disc

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has to be in precisely the right place if
you want the image to land where it should.

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If we take the mask away, you can see that
the image just repeats itself over and over.

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But each adjacent image is actually shifted
one line up or down.

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The most critical part of synchronization
was ensuring the disc is spinning at the exact

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same speed as the scanning disc of a camera,
but it would also be necessary to slow down

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or speed up the disc in slight increments
to get the image aligned with the viewing

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mask, and with the top and bottom in the right
place.

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But the most damning problem is that of geometry.

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Imagine we wanted to make a display with the
resolution and size of this small CRT television.

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Well, the face of the tube is about 15 cm
wide.

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With 480 lines of resolution, there would
need to be 480 holes in the nipkow disc.

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Remember, only one hole can be seen through
the mask at once for this to work, so the

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holes have to be at a minimum 15 centimeters
apart.

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So the disc’s circumference would have to
be 72 meters, with a diameter of roughly 23

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meters, or about 75 feet.

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I live in a building that’s 6 stories tall.

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A mechanical television to rival this TV would
be taller than my building!

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And, it would have to spin at 1,800 RPM just
like this one to make 30 frames per second

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possible.

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This things scares me spinning this fast.

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I’m pretty sure a 75 foot disc would just
explode.

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In fact, let’s do the math.

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A 72 meter circumference means that the edge
of the disc would travel 2.160 kilometers

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per second, or well above mach 6.

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Yeah.

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If the disc were rolling, it would make it
from New York to Los Angeles in about 35 minutes--not

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in a straight line, mind you, but by traveling
along actual roads.

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So, the Baird television system didn’t get
too far.

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It was certainly genious and is an important
part of the history of television.

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But is was far too limited, clunky, and, to
be honest, it had crappy image quality.

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I’ve added some links in the description
to videos of mechanical televisions that actually

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work, and I think you’ll agree that’s
they’re pretty cool, but it’s a damn good

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thing they didn’t become mainstream.

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As always, thank you so much for watching.

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